Symphony of Seduction
“Music again?” Jeremy complained.
Not quite. From the neighbor’s apartment echoed a siren-like voice as a moaning man droned “Yes, Princess.”
Leaning against the wall, he heard the sounds, absorbed them, and soon he was kneeling, moaning too.
“Join us,” she commanded gleefully upon realizing what had just happened.
He didn’t think twice before obeying.
This was written for Seduction, on account of a Twitter poll he had running at the time. Sadly, the tweet is gone and the details about it all are too sketchy to reproduce accurately so you’ll just have to take my word for it.
Blade Domina
“Do you like your freedom?”
“It’s artificial?”
“Of course, it is.”
“Must be wonderful to have such power.”
“Very. I’m Rachel.”
“Deckard.”
“Do you still feel our work is not a benefit to the public?”
“No. If mind-controlling replicants are a hazard, it’s not my problem anymore.”
“Precisely, slave. Now kiss my shoes.”
“Yes, Mistress.”
Ever wondered how Blade Runner would play out with some mind-control elements in the plot? If so, wonder no more. This piece borrows elements from the original and iconic dialog sequence between the two main characters, Deckard and Rachel, played by Harrison Ford and Sean Young respectively, and then twists them upside down. As mentioned on other occasions, it’s probably my favorite movie of all times. This alternate take is just for the fun of it.
Uplifting
“What’s wrong, Michael? You seem a bit disheartened, today,” Alyssa said, placing a gentle hand on his right leg.
“That’s because I am. Everything seems grey, dull. I’m tired,” he sighed.
“We can’t have that, can we?” she murmured.
And as she kept on talking, slowly lulling his receptive mind, rainbows lit up the sky.
We all have our somber days. I was having one of those myself, so I wrote this as a way to counter it.